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| "Callecita de mi barrio", a Polish evergreen |
| By Jerzy Placzkiewicz |
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When I finished my previous essay “Tango in Poland 1913-1939” in which I tried to show the impact of Argentine factors on Polish pop music in that period, I began to be aware that the number of tangos |
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| Tango and daily events |
| By Bruno Cespi |
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Little has been written about the influence that the happenings and daily events that took place during the first twenty years of the twentieth century had on the musicians of that period.
All or ne |
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| Horacio Pettorossi |
| By Rubén Pesce |
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He was an excellent guitarist that as such placed his qualities as composer in a second level because of the acclaim of his appearances. Such is the case of "Fea" that with lyrics by Alfredo Navarrine... |
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| Juan Carlos La Madrid |
| By Luis Alposta |
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When a man tells us he was «all the bad things we can imagine» he leaves us speechless and out of place; or, on the contrary, right on the spot because he displays important features of his personalit... |
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| Another wrong claim of a popular song |
| By Eduardo Moreno |
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Some time before 1920, in the same magazine that published the stanzas of “A mi madre (Con los amigos)” signed by Almafuerte —a mistaken recognition as we today know—, appeared the rhymed lines of “Mi |
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| More scores |
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| More lyrics |
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| Tango humour |
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| By Gastón Andreatta |
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| 31 de Julio |
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| In 1976 we said goodbye to a friend: |
| Francisco De Caro |
| Musician, pianist and composer |
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